Friday, February 24, 2012

Được được!!

Sống 1 kiếp người , Bình An là được.
2 bánh 4 bánh, chạy được là được.
Tiền ít tiền nhiều, đủ ăn là được.
Người xấu người đẹp, dễ coi là được.

Người già người trẻ, miễn khỏe là được.
Nhà giàu nhà nghèo, hòa thuận là được.
Ông xã về trễ, miễn về là được.
Bà xã càu nhàu, thương mình là được.

Khi con còn nhỏ, dạy dỗ thật nghiêm.
Tiến sĩ cũng được, bán rau cũng xong.
Sau khi trưởng thành, ngoan ngoãn là được.
Nhà to nhà bé, ở được là được.

Hàng hiệu hay không, mặc được là được.
Tất cả phiền não, biết xả là được.
Kiên trì cố chấp, biết quên là được
Bạn bè xa gần, nhớ nhau là được.

Không phải có tiền, muốn gì cũng được.
Tâm tốt việc tốt, thay đổi số mệnh.
Ai đúng ai sai , Trời biết là được.
Tích đức tu thân, kiếp sau cũng được.

Thiên địa vạn vật, tùy duyên là tốt
Có rất nhiều việc, nhìn xa trông rộng.
Mọi người đều tốt, ngày ngày đều tốt.
Anh tốt tôi tốt, vậy là quá được.

Nói tóm lại, tri thức là quan trọng nhất.
Nói nhiều như vậy, hiểu được là tốt.
Vẫn còn chưa hiểu, xem lại là được!

Mademoiselle is no longer an official French woman

Mademoiselle is no longer an official French woman
By Alexandria Sage | Reuters – Thu, Feb 23, 2012


PARIS (Reuters) - Official French documents will no longer force women to reveal their marital status by requiring them to choose the title Mademoiselle or Madame.

French Prime Minister Francois Fillon has ordered all regional and local governments to remove the title "Mademoiselle" -- used for unmarried women and implying a youthful immaturity -- from official documents.

From now on, people filling out government forms will get just two choices: Madame or Monsieur.

The change, signed in a memo to regional and local governments by Fillon this week, comes after lobbying from women's groups who argued that Mademoiselle is sexist. Its male equivalent -- Monsieur -- does not distinguish marital status.

Mademoiselle also carries connotations of youth and immaturity, making it potentially problematic for unmarried women after a certain age, and confers a lesser status.

Chanel's "Coco Mademoiselle" for example, is for example is described as a lighter, fresher version of the original Coco.

Respondents on official documents will also no longer be asked to supply their maiden names, their father's last name, or the name of their husbands.

Fillon noted that various government forms contained terms "referring, without justification or need, to the marital status of women." When forms are next printed, those titles must be eliminated, he wrote.

Two groups, Osez le Feminisme (Dare for Feminism) and Les Chiennes de Garde (The (female) Guard Dogs) began a joint campaign in September as a reminder that "the Madame/Mademoiselle distinction ... is a sign of standard sexism that endures in our society."

"Far from being flattering, the title "Mademoiselle" obliges women to divulge their private life, as if marriage conferred a superior value on women," wrote the campaign.

"It's a reminder of the time when women passed, through marriage, from the authority of their fathers to the authority of their husbands."

(Reporting By Alexandria Sage, editing by Paul Casciato)



Saturday, February 11, 2012

Pop Vocal Legend Whitney Houston, Dead at 48, 1963-2012

Pop Vocal Legend Whitney Houston Found Dead
By Billy Johnson, Jr.
Saturday 02/11/2012


Too many of us—myself included—are guilty of making insensitive jokes about the demise of Whitney Houston, her frail frame, loss of one of pop's purest voices, and battle with drugs.  But none of us are laughing now.

On Saturday, Houston's publicist confirmed to the Associated Press that the award-winning "I Will Always Love You" singer died. She was 48. The timing of her death, the eve of the Grammys, the biggest music event of the year, makes the horrible news even more tragic. According to CNN, Houston was pronounced dead at 3:55 p.m. PT at the Beverly Hilton Hotel.  The Beverly Hilton is the venue for the music industry's most prestigious pre-Grammy party hosted by veteran executive Clive Davis, who discovered Houston.

In an industry flooded with novelty artists, who disappear after scoring one hit, Houston's longevity was unquestioned when she released her debut single, the ballad "You Give Good Love" in February 1985. The song's soothing opening ad-libs displayed her soulful roots while also celebrating her pop sensibilities.

Houston's sound was distinct, and clearly separated her from the funk-laden stylings of the era's other female R&B singers. Plus, she was a model who appeared in "Glamour" and "Cosmopolitan" magazines.

Houston's sound made sense when considering her pedigree. She was the perfect melding of the styles of her mother, gospel singer Cissy Houston; cousin, 1960s pop singer Dionne Warwick; and godmother, queen of soul Aretha Franklin.

Houston's self-titled debut album topped the charts and was certified diamond. Her career was impenetrable throughout the release of several follow up albums, 1987's "Whitney," 1990's "I'm Your Baby Tonight," and 1992's "The Bodyguard" soundtrack.

Houston's fans were concerned when she married R&B bad boy Bobby Brown in 1992, but they professed their happiness.

By the late 1990s, Houston's drug problems began to become tabloid fodder. In a 2002 interview with ABC's Diane Sawyer, Houston admitted to her struggles, but maintained that she was doing fine.

The public received its first real glimpse of Houston behind-the-scenes in 2004 when she appeared on Brown's reality series "Being Bobby Brown." The bad publicity move depicted Houston as profane, combative, and delusional, seemingly supporting the behavior of someone on drugs.

Among the saddest indications of Houston's fall was her 2009 comeback album, "I Look To You." While the album received positive reviews, her live performances signaled that the damage to her voice was beyond repair.

Concertgoers stormed out of her 2010 "Nothing But Love World Tour" angry, complaining that Houston was not fit to sing live, and they demanded that their ticket costs be refunded.

On stage, Houston made light of her vocal struggles, and even seemed to be confident when doing so.

But the public scrutiny intensified, and was followed by additional stints in rehab.

While the cause of death has not yet been revealed, one can only wonder whether it was drug-related.

Anyone who remembers Houston's early work and the impact it had on music can only be saddened by her death.

I extend condolences to her family and friends, especially her daughter, Bobbi Kristina.